"For us dancing is like talking. We are born dancing" Eduardo Veitia, director of the Ballet Espanol de Cuba
This documentary starts with a core statement on Cuba,
the philosophy of life regarding the dancing culture in Cuba.
The three carrying, inspiring pillars of dance on the Caribbean island are illustrated by:
the classical Spanish influence
the Afro-Cuban roots
the Latin American mentality
In the meantime a diverse mixture has arisen from these three pillars, continuously new influences keep shaping the Cuban dance.
And yet, almost everything is based on the origins mentioned above.
"For us dancing is like talking. We are born dancing" Eduardo Veitia, director of the Ballet Espanol de Cuba
This documentary starts with a core statement on Cuba, the philosophy of life regarding the dancing culture in Cuba. The three carrying, inspiring pillars of dance on the Caribbean island are illustrated by:
the classical Spanish influence
the Afro-Cuban roots
the Latin American mentality
In the meantime a diverse mixture has arisen from these three pillars, continuously new influences keep shaping the Cuban dance. And yet, almost everything is based on the origins mentioned above.
When the painter Christian Sommer was traveling around Cuba three years ago, he was looking for motives away from the common clichés. He found a special one he in the "Gran Teatro", the State Theater of Havana. He got to know the prima ballerina Irene Rodriguez and painted her on several occasions in different poses. Flamenco on Cuba? A totally new aspect for him.
Most visitors to the island, but also the television viewers, associate "hot rhythms" with Cuba and the synonym is world-famous: "Tropicana". Mr. Sommer thought, however, that there must be more that is worth mentioning about Cuba - and thus an idea was born.
In February of 2008 he met the German cameraman Jochen Beckmann, now a resident of Havana, and the television journalist Jens Wohlrab. The idea took shape. Approval proceedings were shouldered, the approach of the film was even supported by the Cuban authorities. Variety instead of simplicity, not the stereotype postcard showing an oldtimer and the cigar.
For the first time a foreign TV production company, that is our team, was allowed to take a look behind the scenes of the "Ballet Espanol de Cuba" , without any restrictions. That meant everywhere, at all times.
The shooting started at the end of August and was supposed to be finished by the middle of September with the premiere of "Carmen". Something extraordinary was achieved: the dance company danced the night away on the world famous Malecon.
Unusual as well: a look at the heart of the Cuban carneval in the town of Santiago de Cuba. The whole town lives for these days, for the great performance. In spite of limited resources they manage to create instruments themselves - some instruments can be traced back to a Lada car. The principle of neighbourly help discloses itself to the viewer through pictures and interviews.
Even if a few things remind one of the Brazilian carneval, there are differences. The music originally comes from the Maghreb in Africa and the carneval takes place in the middle of the summer.
There are many dance companies and groups in a country in which dance is associated with social advancement. In the film "Baila!" everyday life of one of these dance groups is depicted: waiting for the opening of the rehearsal room, waiting for the bus, waiting for success...? Sadness and apparent glamour are close together here.
The documentary attempts to intertwine and intensify these different strands. It is very close to the people; there is no lecturing nor an attempt to present things in a simplistic way. A lot of things are disclosed to the viewer through personal impressions of the protagonists. Their statements and pictures speak for themselves.
A natural phenomenon of a particular kind endangered the whole project. In the middle of the preparations for "Carmen" on the one hand, and the performance of a salsa group in a holiday resort on the other hand, the hurricane "Ike" hit Cuba with full force. Nothing was moving any longer. The shooting had to be postponed to the middle of November.
The Cuban Embassy in Berlin as well as the International Press Center in Havana and the affiliated authorities showed a lot of understanding for the difficult situation of the team. There were no restrictions at all, no watchdogs. The shooting continued without any interference. The team was very thankful for all the support they received from the authorities.
In the end, more than 23 hours of filmed material resulted in an one hour documentary film. It is about the people of Cuba trying to live their dream. Their dream of dancing. For us Europeans it is time to realize: Cuba IS dancing!
Jens Wohlrab
Jens Wohlrab (Jounalist), born in 1961 in Dinslaken, Germany, studied journalism, German, and history at the University of Muenster.
After graduation he trained with the newly founded RTL television studios in Leipzig. Less than a year later, he became an editor there. During the following three years he mainly worked on the
TV programs "RTL Aktuell", "Punkt 12", and the "Morgenmagazin"
Jens Wohlrab (Journalist)
Jens Wohlrab (Jounalist), born in 1961 in Dinslaken, Germany, studied journalism, German, and history at the University of Muenster.
After graduation he trained with the newly founded RTL television studios in Leipzig. Less than a year later, he became an editor there. During the following three years he mainly worked on the
TV programs "RTL Aktuell", "Punkt 12", and the "Morgenmagazin". After these three years he resigned his secure job with RTL because he felt somewhat restricted by the private format of that time.
In 1999, after the Leipzig RTL studios were closed, Jens Wohlrab and several of his former colleagues founded the media production company "newsdoc"; the company was established as partner of the MDR (Mitteldeutscher Rundfunk).
Starting in 2001 he finally could devote himself to longer formats. He shot his first four-part film for the prime time evening program called "Emergency Animal Clinic" ("Notruf Tierklinik"), a forerunner of many of today’s TV-series.
In 2002 he made the documentary "Medical Blunder" ("Wenn Ärzte Fehler machen").This film attracted sensational attention. Its first showing on NDR, the film was also shown on 3Sat, Phönix, Arte, and in Austria.
In 2003 Jens Wohlrab started his most lavish production up to now: the twelve-part series "GDR privately" ("DDR privat"). It caused a tremendous media response nationwide. During the twelve 30-minute documentaries different movie film directors portray their view of life in the former GDR with regard to special topics like vacation, fashion or the organization of leisure activities. The unusual editing technique of the films has often been copied thereafter by other film directors.
"DDR privat" was also shown on other ARD stations, on 3Sat, Phönix, Arte, the ORF, in Holland and in Luxembourg.
In 2003 Jens Wohlrab traveled to Havana for the first time. There he met cameraman and documentary filmmaker Jochen Beckmann a year later. The two teamed up and have since then regularly produced magazine reports for the TV station MDR, e. g. for the TV programs "Brisant", "hier ab vier", and "Dabei ab zwei".
Jochen Beckmann
Jochen Beckmann (Director of Photography), born in 1959 in Freiburg, Germany, has now been living in Havana for 14 years.
He has been accredited to film there for the German Television since 1998. He has been producing films for all German public service broadcasting stations.
In addition, he works for geo-tv and Spiegel-tv.
"
Jochen Beckmann (Kameramann)
Jochen Beckmann (Director of Photography), born in 1959 in Freiburg, Germany, has now been living in Havana for 14 years. He has been accredited to film there for the German Television since 1998. He has been producing films for all German public service broadcasting stations. In addition, he works for geo-tv and Spiegel-tv.
He made a name for himself with his breathtaking shots for the Spiegel reports "Rio from above" ("Rio von oben") and "Mexico from below" ("Mexiko von unten"). By shooting these two films, he showed that his scope of work is not limited to Cuba. He likewise provided material for the well-known TV series "ZDF-history" and "geo-tv360o".
His ability to speak Spanish fluently and his network including local authorities as well as personalities from the cultural sphere have allowed him access to people and information which many other people have tried hard to obtain, but in vain.
For a couple of years Jochen Beckmann has also been active as co-director, e. g. for two 30-minute reports for the SWR-magazine "Auslandsreporter" ("Foreign reporter"). For the MDR he produced as writer and cameraman the contribution "The Magic Flute in Havana" ("Zauberflöte in Havanna"). In a similar fashion he has worked for "arte-lola", a women’s magazine.
And last but not least, he has impressed the German TV audience with his full-length documentatary "Tropicana Cabaret – a look behind the scenes" ("Tropicana – ein Blick hinter die Kulissen"), shown on Arte in March 2009.
Christian Sommer
Christian Sommer (painter). Christian Sommer acquired his artistic artisanry through thorough work. After vocational training as a graphic designer, he worked as a fashion illustrator for quite a few years.
Christian Sommer (Maler)
Christian Sommer (painter). Christian Sommer acquired his artistic artisanry through thorough work.
After vocational training as a graphic designer, he worked as a fashion illustrator for quite a few years.
Through this experience he developed the ability to quickly comprehend a motive and to apply this to his paintings. But the "superficial beauty of fashion" soon became too boring for him and this is how his first free pieces of artistic work evolved.
Today Christian Sommer mostly sees himself as an artisan who gives the things a new expression – without deep or political intentions on side of the artist. He only depicts what is already within things! After an artistic phase of very reduced, simple and partly "exuberant" still lifes, he began turning to moving motives during the last couple of years: Christian Sommer is especially fascinated by the people on Cuba, who he depicted in many street and dance scenes. For the viewer he catches and shows the movement and dance as an expression of their authentic joy of life. Spurred on by this fascination, the idea for the movie "Baila!" developed.
Christian Sommer has been exhibiting his work publicly for 20 years. Apart from originals for a regular clientele and numerous art lovers, both national and international, some of his motives have been printed in a limited edition (http://www.ch-sommer.de) and successfully
sold.
Gerd Eberwein
Gerd Eberwein (production manager). For the realization of the idea "Baila! Cuba is dancing", Christian Sommer won his long-term friend
Gerd Eberwein as partner and co-producer. They both were present at the scene of action and decisively involved from the first shooting until cutting.
Gerd Eberwein (Produktionsleitung)
Gerd Eberwein (production manager). For the realization of the idea "Baila! Cuba is dancing", Christian Sommer won his long-term friend
Gerd Eberwein as partner and co-producer. They both were present at the scene of action and decisively involved from the first shooting until cutting.
"
Jens Wohlrab
Jochen Beckmann
Christian Sommer
Gerd Eberwein
Pressespiegel
Kuba ist mehr als Rum und Zigarren DOWNLOAD
Kubanische Nacht in Kiel DOWNLOAD
Heißer Flamenco im Casino DOWNLOAD
Matinee im Casino DOWNLOAD
Kuba tanzt! Bericht im Main-Netz DOWNLOAD
Kuba tanzt! Bericht im Wiebadener Tagblatt DOWNLOAD
Heißer Flamenco in Erlenbach Main-Echo DOWNLOAD
Heißer Flamenco in Erlenbach DOWNLOAD
During the shooting of the film in the months of August and September, and then again in November 2008, a number of photographs were taken which are presented in the subsequent gallery.
They document the intensity of daily life on Cuba as well as the intimacy allowed by the protagonists. Thus, in the course of time the initial working relationship turned into a genuine relationship of trust which is clearly visible in the film. Initial restraint on the part of the actors changed into a creative cooperation within a very short period of time.
In addition, the TV journalist, Andreas Spiegel of Leipzig, Germany, who accompanied the production shot a most remarkable "Making off" which is available upon request.
During the shooting of the film in the months of August and September, and then again in November 2008, a number of photographs were taken which are presented in the subsequent gallery.
They document the intensity of daily life on Cuba as well as the intimacy allowed by the protagonists. Thus, in the course of time the initial working relationship turned into a genuine relationship of trust which is clearly visible in the film. Initial restraint on the part of the actors changed into a creative cooperation within a very short period of time.
In addition, the TV journalist, Andreas Spiegel of Leipzig, Germany, who accompanied the production shot a most remarkable "Making off" which is available upon request.
During the shooting of the film in the months of August and September, and then again in November 2008, a number of photographs were taken which are presented in the subsequent gallery.
They document the intensity of daily life on Cuba as well as the intimacy allowed by the protagonists. Thus, in the course of time the initial working relationship turned into a genuine relationship of trust which is clearly visible in the film. Initial restraint on the part of the actors changed into a creative cooperation within a very short period of time.
In addition, the TV journalist, Andreas Spiegel of Leipzig, Germany, who accompanied the production shot a most remarkable "Making off" which is available upon request.
Those responsible for the content in accordance with German media law § 10 Absatz 3 MDStV are: R. Broenner & G. Eberwein Media GbR
The companys VAT and tax identification number in accordance with German VAT law is: 20415705000
Liability. Despite great care taken with the content, we can accept no liability for content shown on external website links. For the content of such linked sites their producers bear the sole responsibility.